Showing posts with label writing Vancouver. Show all posts
Showing posts with label writing Vancouver. Show all posts

Saturday, 28 April 2018

2018 Grind Writers meeting schedule

Before you attend, please email:  grindwriters [at] gmail [dot] com
We sometimes meet elsewhere; meetings may be cancelled.

Please come and join our Facebook group - search "The Grind Writers Group" (Make sure you put that "the" in the search words because there are two groups, one defunct.)

2018 Grind Writers Group schedule
(skips holiday weekends)

Sat Jan 20
Sun July 8
Sat Feb 10
Sun July 22
Sun Feb 25
Sun Aug 12
Sun Mar 11
Sun Aug 26
Sun Mar 25
Sun Sept 9
Sun Apr 8
Sun Sept 23
Sun Apr 22
Sun Oct 14
Sun May 6
Sun Oct 28
Sun May 27
Sun Nov 18
Sun June 10
Sun Dec 9
Sun June 24


Monday, 15 January 2018

What question would you ask a psychic?

10 Min. Free-write Prompt:  What question would you ask a psychic about the future?

Do they remove Mr. Trump before his term is done? And is Mr. Pence even worse?

I’d also like to know about that “void” area archaeologists have just found in the Great Pyramid at Giza – a void the archaeology establishment seems to be going to great lengths to stress is not a “chamber.” Oh, why stop there: I could ask the psychic a lot about that because a good psychic should be able to go back and forth—way back and forth—in time. So I’d ask who built the Great Pyramid and how’d they get all those blocks…….
My issue around psychics is this: if I ask about a prediction of some future event and they say “X will happen” to me—that says something I may not be too happy with about Fate or Destiny. I don’t like the idea that our fate is absolutely fixed.

If the psychic tells me X is going to happen, then that means fate is fixed. Doesn't matter what I say or do. Doesn't matter what decision I make. Like the way Sleeping Beauty gets the puncture by spinning wheel thingie no matter that her father banned all spinning wheels from the kingdom for her entire life previously.  
I like to think there may be a kind of karmic template, but that we can add our own embellishments, that we perhaps can temper things a little by our actions. 

The concept of karma seems to say that. In a way. But then, if you experience karmic events as they say we do—then those may be fixed. Or… are they? It gets very complicated very fast. Are you predestined to have Experience Y to work on some past karmic issue, well then what’s the point of things like Buddhist “right action” if it’s already set in stone? How can you change anything by your actions; or is that only for the next life? Does the Christian concept of free will factor in?  
Another problem with consulting psychics and oracles was related by the ancient Father of History (or "Father of Lies"--take your pick) Herodotus centuries ago about that  time when King Croesus consulted the oracle at Delphi before an important upcoming battle against the Persians. 
Delphic oracle

“One ruler who consulted the oracle was Croesus, whose kingdom, Lydia, was located in an area that is now part of the nation of Turkey. 

Croesus was worried that his rival, Cyrus of Persia, was a threat to  him, and he sent messengers to Delphi to ask the oracle for guidance.

The oracle said that crossing the river Halys and battling Cyrus would  cause a great empire to be destroyed. Croesus wrongly assumed that the "great empire" which would fall would be that of his enemy.”

(from this forum


Oops.
As the writer points out, contacting the psychic realms can be rather unreliable: ”The word "delphic," meaning "ambiguous or obscure," is a reference to the often enigmatic prophecies of the Delphic Oracle.”

No, it’s too too complicated. I’ll just ask the psychic about the 649 lotto. I'm only out three bucks if it’s wrong.
Margo Lamont
______________


Monday, 31 July 2017

Round Robins: fun and folly. It's complicated.

We have experimented with many and varied forms of Round Robins at the Grind Writers, and its predecessor the Closet Writers Group, over the years. Some people call it collaborative writing.

We've done paper ones in a journal that was circulated by hand to members. That vanished somewhere and has not been seen since. Once a Round Robin goes AWOL, it is very hard to locate it again.

We did a very fun one at TCW one year -- passing it around and around. Finally, the man in our group got bored with it and wrote a character who killed everyone. Well, that was that. We had a good laugh at the implausibility of it all and its abrupt ending when we finally read it through together. 

I can imagine really fun RRs were they passed around in the pub and everyone had a shot with every contribution they made.


### ### ###

A bunch of us wrote in turns (for about 4 or 5 go-rounds) to a prompt that Margo liked from a workshop at the Surrey International Writers Conference orkshop on Writing Historical Fiction presented by Vancouver's best-selling historical fiction author Roberta Rich

For this one, we sent a Word.doc around by email. We had to add our bit within 72 hours, or pass on it and send it on to the next person.  (If you don't have a time limit like that, RRs will languish in one person's inbox while they're out of town, too tired to write after work, sick, uninspired, having a life crisis...)

That RR petered out when we couldn't quite agree on whether to keep it as real historical romance or set it in a made-up time and have it be a kind of fantasy historical romance. 

It was set in Tudor England in the time of Henry VIII. Some of us (Margo readily admits to this) were lazy and didn't want to look up every detail as we wrote -- did they really drink mead in the 15th century? (and come to think of it, was Henry's rule the 15th or 16thC? [it was both]) Did they have those lace cuffs she wanted to put on one gent's shirt? Did they say certain phrases? What sort of horses did they ride? You have to stop and verify everything for historical fiction. The research actually is great fun  -- deliciously distracting -- but it took a long time. 

We had built in a way to keep track of new characters any of us introduced along with their names, characteristics, and relatioship to other characters.  And a system of chapter recaps. (When the manuscript became so long it was quite unwieldy, Margo divided it up into tentative working chapters, something she wasn't entirely sure others appreciated but since we hadn't really developed a working structure, it wasn't always easy to discern things like that). 

Then there were style differences. Again, we had no structure to resolve those kinds of differences at all, never mind amongst 6-8 intelligent, imaginative women. For instance, some wanted to write sex scenes with the lustiness of the Tudor era; others wanted to have those four-poster boudoir curtains lower gently before things got too explicit. (Did they have four-poster beds in Tudor England? What was in their mattrasses? How did they keep those feather pillows from becoming vermin havens?  ...... you see how it goes)

Margo came to believe it would be so much easier to set it "somewhere in time," a time that sounded very much like Tudor England but wasn't, then be free to just make things up but with a real-sounding kind of Tudor flavour. She was in a minority, although even that wasn't totally clear. 

There were other issues, which I've forgotten. After a couple of rounds when the mechanics were demonstrating our house a-building was a mite rickety, we had a face meeting to try and resolve things. 

But we'd started out just writing gung-ho enjoying ourselves, and hadn't built any kind of decision-making structure. The truth is, too, you can't write by democracy.  So we ended up kind of treading water til the impetus to write fizzled and everyone got busy and their lives and dayjobs took over, and down down down the RR floated in the inbox until inertia ruled the day.

We did however send our output (which we all quite liked by the way) to Roberta and she was very gracious in the comments she sent us from deepest Italy somewhere, probably receiving more awards or doing research for her most recent book in her Venice trilogy - A Trial in Venice.

### ### ### 

If a group of writers produced really stellar, publishable output, collaborative writing could get really, really complicated unless you've sorted out a whole bunch of things before you start writing.

Say you decided to send it to a publisher and you have 8 or 10 people involved. They would all have to agree to the copyright and would receive royalties. The bookkeeping alone would be monstrous -- and who would do it?  Someone would have to get an agent for it; who'd do and negotiate that? And what agent would want to deal with 8 authors in a book that's not an anthology?  

Or would you self-publish? If self-pubbed, who would do all the work of compiling the front matter, designing the cover (and would 8 people have to agree on the cover? Oy); obtaining the ISBN, and holding the credit card to make those payments, doing the admin around getting refunded by the others. Who would format the manuscript for uploading if self-published. And if those tasks were all done by one or two of the group, should they get a higher royalty percentage? And who'd negotiate that?

I find my eyes getting heavy and my head lolling towards my chest just writing this.

Memo to self: never write collaboratively with more than one, max two, other writers. Way too complicated.

Then there was this.  Of about seven who started that Round Robin, at least two dropped out permanently at some stage. But they had already put quite a lot in a the beginning. Would they be entitled to equal royalties if it got published even if their input ended up being 1/200th of the total? Who would negotiate that? Who would draw up the agreement; who would hold it 'filed' somewhere? 

It's complicated.

My feet started to hurt just thinking about all that. And when it fizzed, I vowed to myself, "No more Round Robins!"

But they can be fun. So we did the uber-easy kind at the last Grind Writers. You just pass a paper around with a starter prompt. It's folded such that each person can see the contribution of the person before them, but that's all.

So they add theirs, and round it goes. It's quick and easy and very silly, therefore fun. And, of course, usually so wildly disjointed and contorted that these can be a howl to read at the end.

Here's the one we did last meeting on the fly. 



 
_______________________

If you love writing historical fiction - this:

10 questions with historical fiction author: Roberta Rich
March 8, 2014
examiner.com March 5, 2014. Roberta Rich, author of "The Midwife of Venice" and "The Harem Midwife" answers 10 questions about her favorite time period in

Read More

See what I mean?
National Post: March 2017
A brief history of forceps and childbirth, from the author of The Midwife of Venice

Sunday, 21 May 2017

2017 SCHEDULE Grind Writers

Grind Writers Schedule 2017

*Note: Important - please email grindwriters@gmail.com before attending a meeting.


GRIND  WRITERS
MEETING DATES 2017

Sun
Jan 22

Sat
July 8
Sat
Feb 4
Sun
July 23   
Sun
Feb 19
Sat
Aug 5   
Sat
Mar 4
Sun
Aug 20   
Sun
Mar 19
Sat
Sept 9
Sat
Apr 1
Sun
Sept 24
Sun
Apr 23
Sat
Oct 7
Sat
May 6
Sun
Oct 22
Sun
May 28
Sat
Nov 4
Sat
June 10
Sun
Nov 19
Sun
June 25
Sat
Dec 2


Sun
Dec 17

Friday, 6 January 2017

2017 Grind Writers Meeting Schedule

Please email before you attend a meeting. Sometimes we change the venue if we have a field event, and there are some requirements before you come to a meeting. Thanks.

Email:  grindwriters@gmail.com


GRIND  WRITERS
MEETING DATES 2017

Sat
Jan 7

Sat
July 8
Sun
Jan 22
Sun
July 23
Sat
Feb 4
Sat
Aug 5
Sun
Feb 19
Sun
Aug 20
Sat
Mar 4
Sat
Sept 9
Sun
Mar 19
Sun
Sept 24
Sat
Apr 1
Sat
Oct 7
Sun
Apr 23
Sun
Oct 22
Sat
May 6
Sat
Nov 4
Sun
May 28
Sun
Nov 19
Sat
June 10
Sat
Dec 2
Sun
June 25
Sun
Dec 17





Monday, 27 June 2016

COLLABORATIVE WRITING: ROUND ROBIN OUTPUT FROM THE PROMPTS

This was a Grind Writers’ free-write combined with a round robin write. Here's how it worked:
·         First we set the timer for a few minutes and we each created a writing prompt on separate sheets of paper.
·         Then we passed those prompts two people to the right. Set the timer again, and we each wrote to the prompt we received. We wrote on separate sheets of 8½ x11” paper.
·         After 5 minutes, we passed the writing we had done to the next person. We set the timer an wrote for another 5 minutes, carrying on from what the previous person had written.

You could carry this on, going completely around the table if you had time. We only did the two. Then we read them. Here is some of that output.  Person 1’s writing is in sans-serif font; person 2’s is in a serif font. We were writing fast and loose—by hand—so indecipherable words have a blank line.

You’ll find it interesting to see which of the writers carry on from the previous paragraph; which people just ignore the first person’s writing and take the thing in a different direction, sometimes even a contradictory one. 

Do people write in first person? Does anyone try other POVs? Did anyone put their contribution in verse? Or write screen dialogue? The field was wide open.

You might read some of the prompts and think that you would never find anything to say about that prompt -– and then perhaps be surprised to see what flowed out of others’ minds to that particular bit of inspiration.

And then maybe you’ll want to take a stab at some of those prompts yourself? We’d love if you shared your output with us.

*******************

Prompt:  Sincerity & Senselessness vs. Common Sense
Sincerity all the way. It’s all _____ senselessness I don’t care for. I need/want to feel. Common sense – it comes out of the multitude of us; it’s a generic common ground. Sincerity will pull me out of it if necessary. With sincerity I don’t look out yet ___ deep inside myself to grasp what is most authentic, most honest for me to say or do. I am willing to step out of line and offend somebody.
I’ve always loved you, I imagine myself saying, even though you tell me that’s not what I really think. Like I’m lying to myself. The doors are big and hollow; a gust of wind could blow me over, I think, if I wasn’t leaning against it. The only thing keeping me attached to my old world.
He’s with her. Three months.
If I’m to rest with myself, I’ll try her. Tell them both what I really feel.
10:05 - I need another pack of cigarettes.
10:14 – The beer here is so expensive. Ad it’s not like they’ll let me talk much. He’s so loud and she’s much more of a bitch than she used to be.
10:31  Yea, one more shot. Make it  double, neat.
11:52: They’ll ever listen.

________
Prompt:  Traffic jam.
The metal strips decorating his El Camino’s dashboard were like oven grates, frying our bodies locked in an iron cage on wheels, _____ing silently like the stuck fat pigs on a movable spit. 103 degrees, 111 with humidity, and he had to grab the chicken, fried chicken steak and waffles, bubbling fat and cholesterol and sugar blended together for the poor man’s health cocktail.
The way he saw it, the grease will keep the whole thing moist. I-5 traffic was a bitch right now, an accident on the bridge. Asshole rear-ended a Maserati, probably jealous of some Asian tech kid making it big. He’d probably had done the same, maybe. Marlene would skin his hide, what with the kids and the rent and the non-existent health insurance he told her he got last week. Jana’s teeth were crooked and Marlene wanted to get it fixed. His teeth were crooked . He’d turned out fine.
            He honked loudly. the bald black guy beside him grinned in comradery. The owner of the red Honda Civic in front flipped him the bird. The smell of waffles and fried chicken steak was making him nauseous.
_________
Prompt:  The last time I took a trip I learned……
The last time I took a trip I learned that tripping is not easy. Well, okay, it’s easy, too easy actually—and a bit addictive, if you know what I mean. The brilliance of the food for all the senses, powering reactions, unexpected moments of exhilaration, but oh that disappointment, that crash when it’s over, when you come back home. I woke up the next day and decide to plan my next trips better. I opened my laptop and scrolled to read online. I wondered what excited me about a new destination, what meds more organized……… 
_________

Prompt:  You are stuck on an island with 99 other people. The island is ruled by a dictator who has banned all mirrors and all communications between people.
All reflections are gone. no one speaks. No one moves without twitching nervously or looking around to see whether others have noticed what they’ve done. Mirrors are gone, shattered into microscopic pieces. They said they weren’t allowed. What to do then if we can’t look at ourselves? We then look at each other. It’s the only way to alleviate the boredom. I don’t know any of their names. Not allowed, they said.
Focus, breathe. Remember. Yes. Little did I realize when I signed up for this silent retreat just what that would mean, how much, how strong are my impulses to connect with other people. Silent sitting meditation for hours and hours.
            Empty the mind.
            Notice the thoughts. The feelings flitting across my consciousness. Cramp I left hip. Let them flit, let them go. My hip still hurts.
            Breathe.
_________

Prompt:  Leather skin.
Her hands from the dirt in the garden for years there were vegetables and traffic now outside  the garden where once there were just a few cars, ow there was a constant stream.
            She came out most mornings screen banging behind her my grandmother’s stucco house grey one story walking in the sun as children we spent hours picking the glass pieces off and secreting them away to our pockets in the garden she pushed her hands into dirt the way her mother showed her as a little girl she followed her mother across the garden she had her own little plot where she scattered seeds or sometimes pushed them. today she grew beets an carrots ad cucumbers.
            “Sarah,” her mom would say, “you need to cultivate your plants or they’ll never yield.”
            Sarah, four, wasn’t altogether sure she knew what cultivate meant. Or yield. But she would work quickly, and imitate what her sister Beatrice did, if only to get her mother to leave her alone for her real work. She worked quickly so she would have time, each day, to move to the remotest part of her small patch and—pretending to weed—she’d peer into the soil, under the plants, at the insects and…..
_________

Prompt:  Glithy
Glithy – if this is a word, what might it mean? Mostly, good for a parlour game. Keep the others guessing.
Glithy – let me attempt to explore the sound, sight and images that arise from this od and unknown word. If my approach is onomatopoeic, I confront an entity both shiny an slick, arising from word associations to “glittery” and “slick.” But let me cast my gaze beyond the most obvious. Can I go further, deeper into the psychology or entomology of the word. I think of “lithesome”—a slim and graceful being, but must not overlook “pithy”—tough and strong.

_________

Prompt:  When X died, I thought he would ever come back...
I’ve heard lots of stories about people who come back after they die; well I guess just ghost stories. I always figured that these ghosts or returning spirits might just be a fabrication in the mind of a living person that maybe their loss is so acute, the one left behind creates
He never really died. He appeared dead, but he woke up too early, after people left him. So it appeared he was a ghost He walked up fro the table, went home quietly and then proceeded to pack an ____ of his bags and straightened out his affairs. The police and the Interpol in England and France helped him to take his death. Some very bad people were after him. He packed everything, got all his money and passports, and ID and flew all the way to Olaine, Latvia to become Dave Seglins – or Dave Lorbergs – one of his Latvian ancestors. He spoke fluent Latvian. And it was arranged to stay with his many rich relations there. Sheiks. They were royalty, owning a lot of land. There he would be ______ playing Backgammon, cards, all ay in the local pubs.
_________

Prompt:  Describe a memory with a tree.
Trees have always been somewhat majestical and mysterious, yet sturdy and safe, especially while I was young but still it seems to have a hold on me, today.  So many times my twin and I would go out and sit under a particular tree about (maybe) 50 yards from our front door. Between the door and the tree was a field of wild grasses and in spring the poppies and dandelions would shoot up, racing to capture the sun before the grass could overtake them. Once they were one, seeds and blooms blown away and dried, the grass would reign supreme, rising to two feet high before they would turn to seeds themselves. My cat Maples would disappear in there an I remember sitting on the porch, looking for movements.

_________

Prompt:  Pathway.
The pathway underneath the bridge reminded me of my old school. Claustrophobic. I walked out and the light engulfed me. I walked along the left side. Old homes dotted the street, apartment buildings disrupted the flow of design. People were friendly.
         “Good morning,” said the woman with the large dog. I said good morning back and smiled.
         That was nice, I thought, as I continued walking Feels good to be here. Feels familiar. And people are friendly. I can relax now….
         “Excuse me.” I heard the woman again.
         I turned around quickly.
         She came back towards me with her large dog.
         “ I don’t think we’ve met,” she said. Her ice-blue eyes seemed to penetrate my soul.
         “No, I’m new around here.”
_________

Prompt:  Fencepost.
Some poet said, “Fences make good neighbours” True. They keep people out, though, while protecting your property. Of course, they keep animals and kids in. A fence is basically a mini-wall. We’ve heard a lot about Walls lately. We’ve had several famous walls through the ages – the Great Wall of China – Hadrian’s Wall – and more recently The Berlin Wall which, when it came down was celebrated globally What walls do we put up, and why? It does always seem to be about self-protection—or hiding. We have firewalls to protect our data. Some argue that if we have nothing to hide then we wouldn’t mind. But thi is also about tone, attitude, plus bigotry, judgement, as well as perception. Look at many work camps, whether in Third World countries, prisons, concentration camps, etc.
_________

Prompt:  A life ambition never realized.
·         Marriage
·         Children
·         PhD
·         Travelling the world
·         Full time work
·         Meeting The Queen and family
·         Meeting Nelson Mandela
·         Getting the Nobel Prize for Literature
·         Having a relationship with my father
·         Getting to know my Grandpa G_____
·         Having siblings
·         Stepfather
         She put the list down and walked outside. It was sunny and the grass was wet on her bare feet. The list remained in her head, lit up like a sign. So much undone. She wondered when the list had first formed. As a child, had she listed PhD as one of her ambitions? When did she first decide that marriage would be an ambition and not merely something that happened, often by accident? When did children stop being something to be avoided? And when did those items o the list slip from being needy things she would do tomorrow, or the next day, to things gone forever, lost into the sands of another person’s life, a person of the same shape and size of herself but whose life charted a different course, filled perhaps with the chaos of children, a half-angry husband, a house, a degree?

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